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Virtual restoration 2. The frescoes of the rock-cut church of Lama D’Antico at Fasano. di Massimo Limoncelli | Maria Potenza - - Studia Archaeologica (SA) - N° 241
  Virtual restoration 2. The frescoes of the rock-cut church of Lama D’Antico at Fasano.
Virtual restoration 2. The frescoes of the rock-cut church of Lama D’Antico at Fasano.
Massimo Limoncelli , Maria Potenza

Year: 2020
Edizione: L'ERMA di BRETSCHNEIDER
Series
ISBN: 9788891319722
Binding: Brossura
Pages: 148, 110 ill. B/N
Size: 17 x 24 cm
 
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Product code: 00013474


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Abstract Table of contents Authors / Editors
This second book of the "Virtual Restoration" series stands as a natural, or philological, continuation of the previous volume "Virtual restoration 1. Paintings and Mosaics" published in 2017. In the first book, in fact, the general issue of virtual restoration applied to pictorial and mosaic surfaces was presented through 38 case studies that dealt with specific problems: from surveying to the representation of surfaces, from degradation mapping to color analysis, from lacunae treatment to virtual reconstruction, up to surface diagnostic analysis and stylistic restoration. This second volume, instead, is the result of a research conducted for several years within the rock-cut church of Lama d'Antico at Fasano (Puglia, Italy) and aims to illustrate all the applications used in the field of virtual pictorial restoration in a single context. This research has allowed not only to reconstruct the frescoes in a virtual environment, through the creation of the first part of the "Virtual Museum of Rock Churches" in the area of Fasano (known as "Lama D'Antico Experience"), but also to review the iconography of the same frescoes by providing, thanks to the possibilities offered today by the Information and Communication Technologies (ICT), new interpretations for the study of medieval painting in Puglia.




FOREWORD (Massimo Limoncelli)
PREMISE (Emma Vitale)
PRESENTATION (Giulia Bordi)
1. THE CHURCH OF LAMA D' ANTICO: ARCHITECTURE AND FRESCOES
1.1. The rock-cut settlement of Lama d' Antico in Fasano (Roberto Rotondo)
1.2. The digital survey of the church: analysis of the architecture and description of the frescoes (Massimo Limoncelli)
1.3. The phases of construction of the church and architectural models (Roberto Rotondo)
2. THE METHODOLOGY OF THE VIRTUAL RESTORATION OF THE FRESCOES
2.1. The methodology of the virtual restoration of the frescoes (Massimo Limoncelli)
3. VIRTUAL RESTORATION OF THE FRESCOES: INDIVIDUAL RECORDS (Maria Potenza)
1.Deesis
2.AnonymousSaint(StJohntheEvangelist?)
3.Archangel
4.Cross inside the apse
5.St Stephen
6.St Theodore
7.St Lawrence
8.Virgin Hodegetria
9.Anonymous Saint (Saint Helen?)
10.Anonymous Bishop Saint
11.St Pantaleon
12.Anonymous Saints
13.Anonymous Saints
14.St Blaise
15.Anonymous Bishop Saint
16.Anonymous Bishop Saints
17.Anonymous Bishop Saint
18.St Martin Bishop
19.St Leon Bishop of Catania
20.Anonymous Saints
21.Saint on horseback (St. George?)
4. RESULTS OF THE VIRTUAL RESTORATION OF THE FRESCOES
4.1. Proposal for a new iconographic reading of the frescoes in the light of the virtual restoration (GiuseppeDonvito)
4.2. The virtual reconstruction of the church (Massimo Limoncelli)
5. LAMA D' ANTICO: VIRTUAL RESTORATION EXPERIENCE
5.1. From the virtual restoration to the virtual museum (Massimo Limoncelli)
5.2. Communicating images by means of images: the Lama d' Antico Experience (Giovanni Di Vito)
APPENDIX. THE ROCK-CUT CHURCHES OF SAN LORENZO AND SAN GIOVANNI IN LAMA D' ANTICO (Massimo Limoncelli)
GLOSSARY OF LITURGICAL TERMS
BIBLIOGRAPHY

Massimo Limoncelli

archaeologist, teaches Virtual Archeology at University of Palermo. He collaborates in excavation and restoration works with Italian (CNR-Ibam, University of Salento, Calabria, Bari, Naples, Venice) and foreigner research institutes (Deutsches Archaologisches Institut Rom, University of Zurich, Institute of Fine Arts of New York, University of Texas); he has conducted research in Virtual Archeology in the eastern Mediterranean, in particular in Hierapolis of Frigia (Turkey) and Dime (Egypt), and in Italy Rome, Selinunte, Metaponto. He has been researching for some years the virtual restoration of archaeological frescoes, especially on medieval frescoes preserved in the rock churches of Puglia and Basilicata.


Maria Potenza

freelance archaeologist, art historian and restorer, in partnership with Massimo Limoncelli has carried out several projects and researches in the field of virtual restoration, including the ones applied to some rock churches of Puglia (i.e. Lama d'Antico in Fasano - Brindisi, Santa Croce in Andria, Santa Cecilia in Monopoli the roman catacomb under the hospital of San Giovanni in Laterano and the prehistorical site of Masseria Vicentino in Grottaglie (Taranto).


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